Dr. Art on Corporate Curating and Collecting: The Altoids Curiously Strong Collection
Courtesy of New York Foundation for the Arts
Matthew Deleget, Visual Artist Information Hotline, with special guests Erin Brennan, Altoids Curiously Strong Collection/Hunter Public Relations, and Anne Ellegood, Assistant Curator, New Museum of Contemporary Art
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Curators' Chat: Eungie Joo Speaks with Lauri Firstenberg and Franklin Sirmans
Courtesy of New York Foundation for the Arts
Eungie Joo: When NYFA Quarterly editor Alan Gilbert approached me to do a piece on independent curating, I thought we should have this conversation together, because we’re all doing related work and our practices appear to be linked—we often write about and work with the same artists, we’re all about the same age, and each of us is publishing a bit. But we each have very different emphases and starting points, and I want to talk a little about how we all began in this field.
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Dave Hickey, Art Critic and Theorist
Interviewed by Ilana Stranger, TheArtBiz.com, courtesy of NYFA
IS: I think that critics--the role they play, the training they have--are one of the more mysterious aspects of the art world for emerging artists. Could you tell me a bit about how you came to write art criticism?
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Gathering Voices: Some Curatorial Perspectives
Transcript from a panel presentation Karen Atkinson, courtesy of Side Street Projects
Marysol Nieves, Bronx Museum
What is your curatorial process?
An interview with Marysol Nieves, Senior Curator of the Bronx Museum of the Arts, by Matthew Deleget, courtesy of New York Foundation for the Arts. more...
An Interview with Jenelle Porter
Matthew Deleget with Jenelle Porter, Curator at Artists Space, courtesy of New York Foundation for the Arts
This is the second column in a series of three articles discussing
the process of curating at various types of exhibition venues. In this
installment, I have chosen to focus on the process of curating at
alternative exhibition spaces with not-for-profit status. To do so, I
have asked Jenelle Porter, Curator at Artists Space in New York City,
to share her experiences and views on curating from a non-profit
organization's perspective. The discussion that follows includes a
wealth of information about non-profit curating and is intended to
touch on many of the major issues raised by visual artists who have
called/emailed the Hotline over the past several years. (Ask Dr. Art's
third and final column on curating will be published in the fall 2001
issue, and it will address corporate art curating and collecting.)
Matthew Deleget: Let's begin by defining the process of curating.
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