An Exchange with Sol LeWitt
Call Type:
ExhibitionsDeadline Type:
fixedDeadline:
10/15/2010Eligibility:
International
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A two-part exhibition co-presented by MASS MoCA and Cabinet
Curated by Regine Basha
Cabinet: 20 January – 19 February, 2011
MASS MoCA: 22 January – 31 March, 2011
The story of Sol LeWitt’s exchanges with other artists is by now widely
known. Though most artists engage in this process at one point or
another, LeWitt seemed fully committed to it as an artistic code of
conduct, a way of life. Eva Hesse, Robert Mangold, Hanna Darboven, and
Robert Ryman are just a few of LeWitt’s celebrated contemporaries with
whom the artist exchanged works. Such exchanges were not limited to
well-known artists, however: LeWitt consistently traded works with
admirers whom he did not know but who had nevertheless sent their work
to him, as well as amateur artists with whom he interacted in his daily
life. LeWitt’s exchanges—he responded to every work he received by
sending back one of his own—fostered an ongoing form of artistic
communion and, in some cases, a source of support and patronage. The
Sol LeWitt Private Collection retains all of the works he received, as
well as a record of what he offered in return.
For LeWitt, the act of exchange seemed to be not only a personal
gesture, but also an integral part of his conceptual practice. In
addition to encouraging the circulation of artworks through a gift
economy that challenged the art world’s dominant economic model,
LeWitt’s exchanges with strangers have the same qualities of
generosity, and risk, that characterized his work in general. This kind
of exchange was designed to stage an encounter between two minds,
outside the familiar confines of friendship.
If we consider the process of exchange as another of Sol LeWitt’s
instructional pieces, then the rational (or irrational) thing to do is
to continue to exchange work and ideas, if only symbolically, with him.
This is a call to those who share an affinity with Sol LeWitt’s legacy
as a conceptual artist, to those who knew him and those who did not —
to anyone who has ever wondered, “What would Sol LeWitt like?”