Budgets, work samples and artist statements haunt our efforts to get the free grant money we so richly deserve. CAR sat down with Allyson Esposito, Director of the Cultural Grants Program at DCASE, and herself a dancer, to give us some straight answers on how to calculate a budget, prep a portfolio and write a statement.
Garneau works in so many media and has so many interests that one artist statement will never quite capture her work. We'll develop a customizable model: a base statement that satisfies the core criteria of her interests, and room to slot in a specific work example that reinforces the base.
3rd Language is a Chicago-based collective of artists and thinkers exploring and embracing difference, otherness and transgression. They name this otherness and transgression "queer." Jeff Oaks, CAR’s literary researcher, and Andi Crist, CAR’s visual arts researcher interviewed them to find out more about their mission.
Copyright law can be confusing, especially with the abundance of misinformation circulated. In a perfect world, artists, art dealers, art lovers and everyone else in the art community would live in harmony and there would never be any conflicts. Unfortunately disagreements do arise. Therefore, in the event of a copyright conflict, artists should be aware of what their rights are. This series of articles will explain, generally, the basics of copyright law for artists.
In a perfect world, artists, art dealers, art lovers and everyone else in the art community would live in harmony and there would never be any conflicts. Unfortunately disagreements do arise. Therefore, in the event of a copyright conflict, artists should be aware of what their rights are. This article will explain, generally, the basics of copyright law for artists.
The Chicago Artists Coalition hosted Moving Canvas, a program of Audience Architects. This collaborative endeavor joins performing artists, visual artists and audiences to attract new participants and explore the possibilities of interdisciplinary collaboration.
I wanted to create something dance-able. This hook tends to lend itself to that. Besides, it’s simply more fun setting something to a four-on-the-floor beat.
CAR's music researcher and staff report on the artists and audiences they meet around Chicago. The ongoing goal of this report is to provide a snapshot of the music industry and scene as CAR works to reach more diverse audiences and learn what tools those audiences want and expect from CAR.
CAR's Literary Researcher, Jeff Oaks, embeds in 826CHI, a non-profit dedicated to supporting students ages 6 through 18 with their creative and expository writing skills.
Whitney Carter opened Carter & Citizen in September 2011 in the Culver City arts district of Los Angeles.
Dance Researcher Victoria Bradford is embedded in the Chicago dance and performance scene for the Fall of 2013 to engage with local dance enthusiasts, dance artists, and dance companies.
This piece explores the higher range of the oboe, which is a difficult range to play in tune while maintaining a full and dark sound. When played well, the sound that emanates is a beautiful, alluring impression unique to the oboe.
There are an infinite number of ways to create a song. It can begin with a founding motif. You can impose a rhythmic device that structures the sounds around it. Starting with a lyric can generate a vocabulary of imagery for the music to follow. A simple riff can morph into an entire phrase.
We're artists. We paint, dance, act, strum, perform and write. But are we (even you, authors) masters of writing about what we do? Not always. Still, the world expects us to spell out the our ideas and goals in order to score the grants, residencies and jobs we need. The Edit is a look at artists' statements, bios, cover letters and the editorial process that shapes them into more persuasive arguments for one's practice.
I put myself in the mindset of baking. My art-making and design work are the cake, the foundation. They take the majority of my time and energy. Social media is the icing that lends a voice to what I do—just enough but not overpowering.
This panel discussed the emergence of new ways to engage audiences in artworks through customized exhibitions and avenues for visitor participation. Panelists considered in depth the implications of audience expectations that are increasingly driven by popular culture and informed by widespread use of social media.
Often the artists who say they have a “studio” here simply have their name on one of the hundreds of shelves that line the ceramics wing. “But we like that,” Robbins assures me. “We want everyone to feel like they have a place to work and feel like part of the family here.”
"Pitchfork is a community of music people who have come together to put on a project that we really love that has been successful and has grown. It was a positive experience from the get-go, and it’s stayed that way." Read up on the people who make the popular music festival run.