According to IRS statistics, small business formation and tax filings increased by 15% percent between 2007 and 2011. As a result the IRS's largest increase of audits were of flow-through entities in fiscal year 2012.
Nothing to See/Hear is a love story about two women and their unraveling relationship. As the estranged couple poses in a portrait studio, each reflects on their former intimacy. The story is set to the bittersweet track A True Story of a Story of True Love by The Books.
"Dance: A Moving Canvas" is program that seeks to expand dance audiences in Chicago by enabling participants to deepen their understanding of the choreographic process. Three choreographers were chosen by jury to develop work for the program.
Chicago’s art scene suffers from mid-career flight because Chicago lacks resources for financially sustaining professional artists… I wanted to find a way to re-frame these purported weaknesses as specific characteristics, and in so doing, celebrate Chicago’s DIY art scene.
Due to the unconventional nature of the creative hobby business, it is often difficult to determine the best way to account for profits and losses on tax returns. When tax season comes around artists often discover they spent more money on materials and equipment than they made in income, so they show a loss for their creative venture to offset their normal employment income.
The interdisciplinary performance "3 Singers Opera" explores the female body’s relationship with machinery, particularly with the labor, production and policies of the textile industry.
The key to a good artist statement is to dig into what the work is about. Perhaps calling an essay an "artist statement" is misleading, as artists generally seem to think it should be about them. Your artist statement should be a statement by the artist and about the work.
Copyright law can be confusing, especially with the abundance of misinformation circulated. In a perfect world, artists, art dealers, art lovers, and everyone else in the art community would live in harmony and there would never be any conflicts. Unfortunately disagreements do arise.
Budgets, work samples and artist statements haunt our efforts to get the free grant money we so richly deserve. CAR sat down with Allyson Esposito, Director of the Cultural Grants Program at DCASE, and herself a dancer, to give us some straight answers on how to calculate a budget, prep a portfolio and write a statement.
Garneau works in so many media and has so many interests that one artist statement will never quite capture her work. We'll develop a customizable model: a base statement that satisfies the core criteria of her interests, and room to slot in a specific work example that reinforces the base.
3rd Language is a Chicago-based collective of artists and thinkers exploring and embracing difference, otherness and transgression. They name this otherness and transgression "queer." Jeff Oaks, CAR’s literary researcher, and Andi Crist, CAR’s visual arts researcher interviewed them to find out more about their mission.
Copyright law can be confusing, especially with the abundance of misinformation circulated. In a perfect world, artists, art dealers, art lovers and everyone else in the art community would live in harmony and there would never be any conflicts. Unfortunately disagreements do arise. Therefore, in the event of a copyright conflict, artists should be aware of what their rights are. This series of articles will explain, generally, the basics of copyright law for artists.
In a perfect world, artists, art dealers, art lovers and everyone else in the art community would live in harmony and there would never be any conflicts. Unfortunately disagreements do arise. Therefore, in the event of a copyright conflict, artists should be aware of what their rights are. This article will explain, generally, the basics of copyright law for artists.
Whitney Carter opened Carter & Citizen in September 2011 in the Culver City arts district of Los Angeles.
We're artists. We paint, dance, act, strum, perform and write. But are we (even you, authors) masters of writing about what we do? Not always. Still, the world expects us to spell out the our ideas and goals in order to score the grants, residencies and jobs we need. The Edit is a look at artists' statements, bios, cover letters and the editorial process that shapes them into more persuasive arguments for one's practice.
I put myself in the mindset of baking. My art-making and design work are the cake, the foundation. They take the majority of my time and energy. Social media is the icing that lends a voice to what I do—just enough but not overpowering.
This panel discussed the emergence of new ways to engage audiences in artworks through customized exhibitions and avenues for visitor participation. Panelists considered in depth the implications of audience expectations that are increasingly driven by popular culture and informed by widespread use of social media.
Often the artists who say they have a “studio” here simply have their name on one of the hundreds of shelves that line the ceramics wing. “But we like that,” Robbins assures me. “We want everyone to feel like they have a place to work and feel like part of the family here.”