The Latest:

Tom Camacho

The Three Types of Grants

Finding the Best Option for your Non-Profit

In a general sense, there are three overall types of grants: foundation, corporate and government.

Author Megan Stielstra

Singlepage: Megan Stielstra

"Channel B" from The Best American Essays 2013

How do you write about depression in a way that isn’t depressing? I decided to start small. Instead of "I need help," I wrote "I need a shower."

Sheryl Kosovski

Pricing Worksheet

Sheryl Kosovski takes us through the paces to determine our rates

Almost all creative entrepreneurs under-charge their clients ... no one has looked at what it really costs to do the work.

Marie Casimir

Fiscal Sponsorship for Chicago Performers

A conversation with Links Hall's Associate Director Marie Casimir

Fiscal sponsorship “allows individual artists and collectives to access fundraising opportunities, financial services, training and mentoring expertise."

Singletrack: ATOM-r

"The Operature" at the Museum of Contemporary Art Chicago

We discovered we could activate gallery spaces as if they were crime scenes or sites of cruising—of men interacting with men.

Barry Cooper II

A "Passing" Fancy

The IRS is scrutinizing pass-through businesses (like artists). Use these tips to avoid audits

According to IRS statistics, small business formation and tax filings increased by 15% percent between 2007 and 2011. As a result the IRS's largest increase of audits were of flow-through entities in fiscal year 2012.

2nd Floor Rear Director Katie Waddell

So You Wanna Run an Art Festival.

Tips and tricks from the director of 2nd Floor Rear

Chicago’s art scene suffers from mid-career flight because Chicago lacks resources for financially sustaining professional artists… I wanted to find a way to re-frame these purported weaknesses as specific characteristics, and in so doing, celebrate Chicago’s DIY art scene.

Barry Cooper II of Limelight Accounting

Your Art Business ... Or is that Hobby?

Look at your arts practice like the IRS to know what you can deduct.

Due to the unconventional nature of the creative hobby business, it is often difficult to determine the best way to account for profits and losses on tax returns. When tax season comes around artists often discover they spent more money on materials and equipment than they made in income, so they show a loss for their creative venture to offset their normal employment income.

Erica Mott

Singletrack: Erica Mott

Rehearsal footage from the interdisciplinary "3 Singers Opera"

The interdisciplinary performance "3 Singers Opera" explores the female body’s relationship with machinery, particularly with the labor, production and policies of the textile industry.

Photographer Rosy Torres with CAR Visual Arts Editor Andi Crist

The Edit: Photographer Rosy Torres

Writing yourself out of your statement

The key to a good artist statement is to dig into what the work is about. Perhaps calling an essay an "artist statement" is misleading, as artists generally seem to think it should be about them. Your artist statement should be a statement by the artist and about the work.

Cara Huffmann

Law for Artists: Fair Use

The use of protected works balances unevenly between the First Amendment and the Constitution's copyright clause

Copyright law can be confusing, especially with the abundance of misinformation circulated. In a perfect world, artists, art dealers, art lovers, and everyone else in the art community would live in harmony and there would never be any conflicts. Unfortunately disagreements do arise.

CAR Editor JC Steinbrunner interviews Allyson Esposito, Director of the Cultural Grants Program at DCASE

Portfolios, Pitches and Projections: Overcoming Those Grant Application Blues

An interview with Allyson Esposito, Director of the Cultural Grants Program, DCASE

Budgets, work samples and artist statements haunt our efforts to get the free grant money we so richly deserve. CAR sat down with Allyson Esposito, Director of the Cultural Grants Program at DCASE, and herself a dancer, to give us some straight answers on how to calculate a budget, prep a portfolio and write a statement.

Nicole Garneau

The Edit: Performance Artist Nicole Garneau

Making a statement flexible for artists with multiple bodies of work

Garneau works in so many media and has so many interests that one artist statement will never quite capture her work. We'll develop a customizable model: a base statement that satisfies the core criteria of her interests, and room to slot in a specific work example that reinforces the base.

The 3rd Language

3rd Language

A Queer Collective Interview

3rd Language is a Chicago-based collective of artists and thinkers exploring and embracing difference, otherness and transgression. They name this otherness and transgression "queer." Jeff Oaks, CAR’s literary researcher, and Andi Crist, CAR’s visual arts researcher interviewed them to find out more about their mission.

Cara Dehnert Huffman, JD, MAM

Law for Artists: Copyright Duration

Copyright lengths for individuals, joint works, works made for hire and anonymous

Copyright law can be confusing, especially with the abundance of misinformation circulated. In a perfect world, artists, art dealers, art lovers and everyone else in the art community would live in harmony and there would never be any conflicts. Unfortunately disagreements do arise. Therefore, in the event of a copyright conflict, artists should be aware of what their rights are. This series of articles will explain, generally, the basics of copyright law for artists.

Cara Dehnert Huffman, JD, MAM

Law for Artists: The Basics of Copyright

Copyright defined, owner rights, and the benefits of registration

In a perfect world, artists, art dealers, art lovers and everyone else in the art community would live in harmony and there would never be any conflicts. Unfortunately disagreements do arise. Therefore, in the event of a copyright conflict, artists should be aware of what their rights are. This article will explain, generally, the basics of copyright law for artists.

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